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The Associated Press, May 4 (Editor Ma Lan) When Hollywood writers wrote stories about AI replacing human beings, they probably did not expect that the day would come so soon. During the Hollywood writers' strike held on Tuesday, the American Writers' Association asked to restrict AI from writing films and TV plays. According to the association, Hollywood film companies refused the restrictive request on AI, I am only willing to discuss the application of new technologies once a year.

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One focus of the screenwriters' strike is to address salary conflicts, while another issue is the intrusion of artificial intelligence, which may determine the development of the entertainment industry in the coming decades. Tuesday's strike was also the first time in 15 years that Hollywood has seen a screenwriters' strike movement. John August, a member of the negotiation committee of the Writers' Association of America, stated that screenwriters have two main dissatisfaction with artificial intelligence: they do not want their works to become materials that feed AI, I don't want to have to modify the AI draft hastily in the future.

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But in reality, AI has already taken a place in Hollywood, such as helping to eliminate wrinkles on actors' faces, drawing animated short films, or generating realistic images. At the same time, some screenwriters have indeed started using artificial intelligence to write stories and plagiarize machines to provide visual effects and AI consulting services for multiple film and television studios. Mike Seymour, co-founder of Motus Lab, said that the problem with screenwriting lies in, They insist that creativity itself is the bottom line of humanity, which makes AI unable to replace their work.

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But he believes that this idea may be too arbitrary. Instead, Seymour believes that artificial intelligence can help writers break the framework, and it will not become super intelligent and then become a human like existence. This is unrealistic, but screenwriter and executive producer Warren Leight countered that the ability of artificial intelligence is to spit out a piece of garbled code.

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But production companies can no longer hire screenwriters to do the first draft, and let them modify AI's first draft. This way, the Writers Association of America proposes to define in the contract that materials generated by artificial intelligence such as ChatGPT cannot become literary materials or raw materials. This way, if the producers hand over AI generated scripts to the screenwriters for editing, the screenwriters will not receive less remuneration.

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In addition, the association also believes that existing scripts should not be used to train artificial intelligence, which opens the door to intellectual property theft. August pointed out that it can be imagined that a studio would use all the works of a screenwriter to train artificial intelligence and have him write a script in that way. Obviously, the Writers Association of America does not want such a thing to happen.

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Ellen Stutzman, the chief negotiator of the American Writers Association, bluntly pointed out the unpopularity of AI, which some screenwriters refer to as a "plagiarism machine".