The earliest artificial intelligence movie (the first artificial intelligence movie in China, which

 

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I have found that many friends have really asked me to recommend science fiction films this year. Perhaps it is because the popular film "Wandering Earth" at the beginning of the year made everyone feel the joy of the so-called "first year of Chinese science fiction". Chinese audiences who can only watch Hollywood science fiction blockbusters can only find the high point at once. However, in fact, we have made excellent science fiction films more than 30 years ago, which may also be the earliest artificial intelligence film in China.

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In my mind, the top one science fiction in mainland China is' Misalignment '.

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Zhao Shuxin is an ordinary intellectual and an expert in researching artificial intelligence. He has recently been promoted to the position of director. However, as a director, he lacks authority and follows his secretary with a drooping head every day, walking through the door after door of the office.

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The secretary informs the work schedule every day, facing endless meetings, can only reluctantly ask, do you have to go? The secretary turned around coldly and said without a doubt, 'It's not good not to go.'.

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A person engaged in scientific research was exhausted by the meeting, so he had a brainstorm and came up with a way to "recreate Zhao Shuxin using artificial intelligence." Build a robot specifically for holding useless meetings.

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After having robots, Zhao Shuxin had time to do what he wanted to do. The robot completed the meeting task almost perfectly, not only performing well in the meeting, but also practicing Zhao Shuxin's signature.

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Zhao Shuxin initially monitored the robot's movements, but later decided to let it wander around the outside world. Slowly, the robot had its own ideas. He even became obsessed with meetings, learning to smoke and drink because he was impressive.

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He still has emotions and has private contact with Zhao Shuxin's girlfriend to learn about love. Zhao Shuxin only felt something was wrong and did not interfere until the robot hid an important document.

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As the central government began to streamline meetings, robots realized that their identity would be affected. At this moment, Zhao Shuxin took out a remote control and said, 'If you don't listen, I will destroy you.'. Either following orders or being destroyed, facing such a choice, the robot unexpectedly launched a rebellion!

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The movie "Misalignment" was released in 1986, 33 years ago, with a Douban rating of 8.1. Only over 2000 people have commented on the film's bold theme, advanced thinking, and novel scenery. Even after thirty years, there is still no Chinese science fiction film in my heart that can surpass it

Director Huang Jianxin, who had just made his debut at that time, was full of energy and outspoken. He successively produced the city trilogy "Face to Face", "Stand Straight Don't Lie Down", "Stop at Red Light and Walk at Green Light", and the avant-garde trilogy "Black Cannon Incident", "Misalignment", and "Reincarnation". Each of them was a well-known domestic film, with "Face to Face" even scoring 9.4 points.

Nowadays, director Huang Jianxin is very confusing, as if he has been cursed by the 21st century. After entering the year 2000, the quality of his works has been worse and worse. If you have heard of a science fiction blockbuster called "Ice Man" with Douban 2.6, I can tell you, Huang Jianxin is its producer. If you haven't heard of it, congratulations, you haven't been hit in the face by an invincible blockbuster.

So, I can reasonably doubt that Huang Jianxin after 2000 was misplaced. He must have built a robot, which was later replaced by the artificial intelligence in the movie "Misalignment" by a robot rebellion. Even today, it is still an important topic faced by human society. Will robots have independent consciousness, emotions, and even replace humans?.

Looking at these seemingly ordinary thoughts and inquiries today, it goes without saying how advanced and advanced they were more than 30 years ago. So much so that when I first watched this movie, there was a very interesting scene in the movie, where Zhao Shuxin dreamed of Laozi, who was watching TV alone in the desert

Time and space are highly conceptualized and blurred during this period, presenting a strange sense of absurdity to the audience. The contrast between tradition and modernity is incomparably misplaced. Laozi's line "where misfortune and fortune lie, where fortune and misfortune lie" is simply a prophecy of Zhao Shuxin, as well as a prophecy of the new era: beware of the excessive development of technology, and people will eventually be replaced by what they have created.

Here, absurdity is not for fun, but for vigilance.

In fact, in the movie, in addition to thinking about artificial intelligence and technology, the most common satire is still on human social life, especially on Chinese bureaucracy. Therefore, the boldness of the theme is now unimaginable. Zhao Shuxin created robots to hold endless and useless meetings, which can be said to be very Chinese characteristics.

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There is such a dialogue in the film. In just a few sentences, it shows the formalism of the meeting to Zhao Shuxin, who is tired of the meeting, and asks, "Can we not have a meeting?"? The organizer of the conference replied: The central government has opened the conference, the ministry has opened the conference, and the province has opened the conference. We cannot explain it without opening the conference. This is an attitude problem. This formalism is also manifested in the fact that robots learn to smoke and drink in a short period of time.

The reflection that robots have generated after living with humans for a long time is more direct satire. He told Zhao Shuxin that he has held many meetings for you recently, gained insights, and found that you humans are very strange and have many contradictions. He has made many provisions for himself, but deep down, he only hopes that others will abide by them. For example, when I speak as you on stage, the people below, who are unwilling to listen, have to applaud.

Haha, simple and straightforward. The combination of satire and reflection on humans and machines in the movie is a fantastic and realistic science fiction masterpiece that surpasses the times. I don't even think it's an exaggeration to call it a masterpiece. Nowadays, we can't make such a movie anymore.

If we could continue to develop along this path back then, it would be unimaginable how powerful Chinese movies would be. Unfortunately, it's a pity. Unfortunately, this movie did not generate a significant response as it could have influenced a generation's science fiction beliefs.

Otherwise, it wouldn't have been like after 'Wandering Earth' where many people exclaimed, 'We've finally made a decent science fiction film.'. There has always been good news, but not many people know.

Because many people equate science fiction films with special effects and space exploration, I can understand why "Wandering Earth" is highly sought after. In my opinion, science fiction films are an attitude, a spirit, a worldview, and more importantly, it is a human imagination. This imagination exists in "Misalignment", and many Chinese films also have it

Below, I would like to recommend a few early domestic science fiction films to you without any burden. If you are interested, you can come and see "Shanghai Beach in 60 Years", which was released in 1938 and can be regarded as China's early attempt at science fiction. This film tells a series of funny and humorous stories about two employees who got drunk and went to Shanghai in their dreams.

Little Sun ", a science and education film released in 1963, is the first science fiction film in New China. It tells the story of Young Pioneers developing an artificial sun and sending it to the sky. Liu Cixin also wrote an article in 2003 stating that the film "Little Sun" was underestimated.

The Dead Light on Coral Island "was released in 1980 and proposed many science fiction concepts, making it an outstanding figure in domestic science fiction films.

Thunderbolt Beibei ", released in 1988, is an absolute classic of domestic science fiction films and also a childhood memory of many post-70s and post-80s generations.

Atmospheric Disappearance ", released in 1991, tells the story of a couple robbing a train, causing the leakage of highly toxic substances on the train and burning through the ozone layer.

Domestic science fiction films are not without them, and our imagination is not lagging behind. However, in the process of development, we have gradually been ignored and have not formed a good system without an excellent framework. Special effects technology has fallen behind people, how can there be excellent science fiction films? However, nowadays, there are also many science fiction films released every year, although many are scary or ridiculous films.

However, with the continuous development of technology and excellent local authors, a mature domestic science fiction film system should be established sooner or later. The domestically produced science fiction film Dawn, produced by "Wandering Earth," is currently very promising.

The movie "Mermaid 2" directed by Stephen Chow and starring Wu Yifan and Lin Yun will achieve the "wormhole plan" of freely shuttling through space. Adapted from Jiangnan novels, "Shanghai Fortress" starring Lu Han and Shu Qi has been completed.

The "749 Game" directed by Lu Chuan and starring Wang Junkai and Liao Fan is currently being filmed. The science fiction film "Island of Hope" co produced by China and Finland has been completed.

In addition, directed by Zhang Xiaobei, "Star Digger" is about to be released, Chen Zhengdao is going to shoot "Cycle", Xu Ke is going to shoot "Star Pet", Guo Jingming is going to shoot the trilogy "Future Future", Han Han is going to shoot "Made in the Sky", Deng Chao is going to shoot "Galaxy Tutorial Class"... all of them are science fiction materials.

There may be a large number of domestic science fiction films released in 2019 and 2020, and it is very likely that 2019 will truly become the "first year of Chinese science fiction films" in the media's mouth. At that time, we may no longer have to say the words "when will we have a decent science fiction film" or "we will end up with another decent science fiction film".

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